Gallery: Brunswick Street Gallery
Exhibition will occur 12 – 25 March 2010. 10 Illustrators with 6m of wall space each. To apply, email 10 images 72dpi/10cm wide to Mark Jamieson at mark@brunswickstreetgallery.com.au
Gallery: Lamington Drive
Girl Skateboards & Hardcore Distribution are proud to present ‘Where The Wild Things Are’, a collection of film
stills from Spike Jonze’ movie, shot by illustrious skate photographer Mike O’Meally.
stills from Spike Jonze’ movie, shot by illustrious skate photographer Mike O’Meally.
Gallery: fortyfivedownstairs
Mary Edquist lives in Melbourne and is an emerging artist who resumed her painting career in 2004.
Gallery: NGV International
Drawing mainly from the NGV Collection, Chinoiserie will showcase European Chinoiserie in a range of media including ceramics, furniture, glass, textiles, painting, prints and drawings. These creations will be placed with examples of Asian art which illustrate both the inspiration for the European productions and how these works depart from their Asian models.
Gallery: The Jewish Museum
A trailblazing figure in 20th-century art, Man Ray (1890-1976) revealed multiple artistic identities over the course of his career – Dadaist, Parisian Surrealist, international portrait and fashion photographer – and produced many important and enduring works as a photographer, painter, filmmaker, writer, sculptor, and object maker.
Gallery: Ian Potter Museum of Art
The Shilo project is based on Neil Diamond’s 1970 album, the cover of which features a connect-the-dots portrait of Diamond for fans to complete. The project invites up to 100 contemporary Australian artists to complete a ‘blank’ cover and will display their sleeves alongside those found in op shops completed by unknown individuals.
Disruption demonstrates an interest in the relationship we have with photographs, and in particular, between images and the material onto which they are printed.
Trees in Space: The Reorder of Things examines trees as manipulated energy structures in space. Trees create their own kind of order by connecting the geological with the cosmological, extending complex structures between soil strata and the distant sun — structures which house entire ecosystems and affect the systems around them.
It’s a question of paying more attention to the space that exists around us. In doing so, we develop a sense of confidence, confidence that space exists in front of our eyes and that it is not demanding anything. It’s a free world.
Force has its own will. It pushes with great pressure, like the steaming weight of rollers outside my house.
Expedition considers the significance of our ongoing relationship with the land and the identity of our nation. The exhibition is an investigation into the formation of our cultural psyche resulting from the ‘Aussie adventurer’ determination to discover and lay claim to sites, locations and territories.
In the four works that comprise this exhibition Trish Morrissey employs self-portraiture, performance and wit as tools to investigate the boundaries of photographic meaning through still and moving images.
